Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error. The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him.
Maybe i'm being a bit harsh on philosophers, but they have not been very kind to me... I have been variously called nominalist, an instrumentalist, a positivist, a realist, and several other ists. The technique seems refutation by denigration: if you can attach a label to my approach, you don't have to say what is wrong with it... I am sure that einstein, heisenberg and dirac didn't worry about whether they were realists or instrumentalists.
Another technique for fending off suffering is the employment of the displacements of libido which our mental apparatus permits of and through which its function gains so much in flexibility. The task here is that of shifting the instinctual aims in such a way that they cannot come up against frustration from the external world.